finally! The new installment of the franchise 007, which until now was known as ‘Bond 25‘, already has official title; Sony has revealed through the video which you can above. It has been christened as ‘No Time To Die‘, which for lack of knowing the English title, roughly translated as “No time to die.”
Fifth and what last? Daniel Craig
of Course, nobody time for that, but it seems that Bond even less. To the margin of which is a generic title that could fit in any other film of the saga, sounds to me like a response to the rumors that ‘Bond 25’ is a farewell to Daniel Craig as the secret agent.
In fact, it was said that Danny Boyle wanted to kill character (abandoned the project by “creative differences”) and was the option of calling the project ‘a Reason To Die‘ (“A reason to die”). As a curiosity, the “working title” of the project was to ‘Shatterhand’.
‘No Time To Die’ is the fifth film of Craig as 007 and has already declared that is not very motivated to follow (is 51 years old) beyond the large sum that you receive for each shoot. There are numerous actors who could take up the slack so that the producers should not have to fear a spare. In fact, in the new, Bond is retired and a new agent has the identity of 007; an easy resource that allows you to change the main character without any major changes in the distribution.
Remember, along with Daniel Craig, become Ralph Fiennes as a M Naomie Harris as Moneypenny, Ben Whishaw as in Q, Rory Kinnear as Tanner, Jeffrey Wright as Felix, seydoux as Dr. Madeleine Swann and Christoph Waltz as Blofeld. Among the innovations stands out the presence of Rami Malek, recent winner of the Oscar for ‘Bohemian Rhapsody‘, as a new villain.
Cary Joji Fukunaga directs ‘No Time To Die’ from a script signed by Neal Purvis, Robert Wade, Scott Z. Burns, Phoebe Waller-Bridge and the own Fukunaga. Sony released the film in cinemas April 8, 2020. Is there a desire to return to see James Bond in action?
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The news ‘Bond 25’ already has the title official: ‘No Time To Die’ was originally published in Espinof by Juan Luis Caviaro .