The american network Syfy has decided not to renew ‘Krypton’ for a third season. The news comes shortly after the premiere of the final episode of the second season this August 14, but it is possible for the series to rise again from its ashes, because their leaders are working hard to find him a new home.
in Addition, the cancellation of ‘Krypton’ brings bad news further down the arm, as Syfy has also decided not to go ahead with ‘Lobo’the spin-off was in development for a long time. In this way, the universe passes on to a better life on Syfy, but could find accommodation in DC Universe or HBO Max, the new platform for the streaming of Warner.
Options for the future and the reason for cancellation
In fact, ‘Krypton’ is already part of the catalog of the DC Universe. His first season can already be seen in the united States and in 2020 will be the second batch of chapters at the disposal of their clients. It seems the movement is more logical, but lack to add up the numbers, but in this case has the advantage that Warner would get income by various ways with the series. That was not true in the case of Syfy and has been his undoing.
And is that with ‘Krypton’ the same thing happened that happened in his time with ‘The Expanse’. Syfy could only enjoy the income generated via advertising and that I was strongly of viewings during its first week. The first season was a huge success, becoming the most watched of any series in the chain from 2015.
In the case of ‘The Expanse’ the great saving was Amazon and now it remains to be seen if the same thing happens with ‘Krypton’.
The problem is that the second season has fallen by half in the ratings and no longer came out of them the accounts to Syfy. A common problem lately in Hollywood, because those series are not produced by the same company owned by the channel are more likely to be cancelled, even though it is still can work well in the hearings.
Via | Deadline
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The news ‘Krypton’ cancelled after two seasons: the prequel of Superman is already looking for a new home was originally published in Espinof by Mikel Zorrilla .
August 16, 2019
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