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it is Not easy to understand that in a place with so much callus as the Fantastic Fest, ‘Perfection’ has proved to be one of the films that most expectations generated in the past year. the film de Richard Shepard, absolutely delirious, is on Netflix from this weekend.
Crazy academy of cellists
One of the best tips I can give to the fans of the genre is that try to get to the movie without having any idea of what there is here. Getting to ‘Perfection’ blind will serve at least for its plot, its twists and aces that is kept in the sleeve to function in the viewer.
based on one boot powerful, where the maker of the extraordinary ‘Matador’ warns that this is going to remind us of the Palm more cocky, we know Charlotte (Allison Williams, one of the stars of ‘Girls‘ and one of the revolutions of the ‘Let me out‘), a cellist virtuoso and tormented after a bad streak in life. The young man will travel in search of Elizabeth (Logan Browning), the new star pupil of his former school, the most prestigious music academy of the history of the horror film. And look who we have recent remake of ‘Suspiria‘.
The encounter between the two artists will have unimaginable consequences after a series of rocambolescos ups and downs that end by placing the film in an atmosphere infernal, the absurd and unexpected where one will never go ahead of the plot by a lot of who think otherwise. Their constant search for turning points crazy and the scene of Richard Shepard make it a bizarre celebration of the genre that not all are invited.
The power of the music
despite the strength of their images, of their boldness and shamelessness I would dare to confirm as a volunteer, it is necessary to want to play with the new exercise of terror Netflix. Changes of tone, a rhythm that moves jerky, and the presence of Allison Williams, it does not help to remind us of the atmosphere of the amazing debut of Jordan Peele, prevent us to take it too seriously the proposal.
Fortunately, the end reward is the constant sacrifice of the unbelief on the part of the viewer more skeptical. Their goal is to offer you a spectacle of horror daring not to clash together with proposals (very) higher ‘Tusk‘ or the saga of the human centipede, titles without complexes that were direct to the point. And to get to that grain, ‘The Perfection’, at times, seems to hesitate, and seek a shortcut to something more simple and less provocative.
But rest assured, because it is after save a match ball of shame others first of terror. What is achieved in part thanks to the exquisite musical taste of Paul Haslinger and the interesting photography Vanja Cernjul.
Although the conclusion at which we arrive can be a common place, I think they are well worth the trip. Shepard and his co-writers Eric C. Charmelo and Nicole Snyder, the play with a vehicle kamikaze straight to the heart of the fans with fewer prejudices of the genre. If you’re not sure of a part of such a select group, waiting to see the movie.
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The news ‘The Perfection’: Netflix debuts a hilarious and shameless exercise in horror that knows how to play with his constant recklessness was originally published in Espinof by Kiko Vega .
May 26, 2019
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