The trailer for ‘The curse of Hill House’ promises a terrifying reinvention of the novel Shirley Jackson

a little over a year, Netflix gave a joy to the fans of the terror subscribed to the platform of streaming advertising, rather than an adaptation, a new twist to the legendary novel by Shirley Jackson ‘The Haunting of Hill House’ shaped series of ten episodes, which is joined to the already existing film versions signed in 1963 by Robert Wise, and in 1999 by Jan de Bont.

Today, after the the first breakthrough in the form of images that they offered us a few weeks ago, the giant video on demand has just published a first trailer your new show. A breakthrough that, in addition to have a pint especially promising, a glimpse of the atmosphere unhealthy and oppressive that will wrap the new story of horror house Netflix.

https://www.youtube.com/watch?v=br6nKEqP4-w

In little more than two minutes, the ‘The curse of Hill House’ has managed to capture my attention by several factors ranging from its very interesting cast —headed by Carla Gugino spectacular to the accompanying Henry Thomas, Timothy Hutton or Kate Siegel— to a bill impeccable technique that, probably, take advantage until the last drop of the fantastic location on which revolves the story.

however, the main attraction of the series lies in its director: a Mike Flanagan that has already partnered with Netflix on the remarkable adaptation of the novel by Stephen King ‘The game of Gerald’ and in the wonder of home invasion titled ‘Hush’ —that, if you have not seen, you should not lose sight of, and that it has given to lovers of the genre pieces as interesting as ‘Absentia’ or the always reivindicable ‘Oculus: The mirror of evil’.

To check what has it gone to Flanagan adapting the original material from Shirley Jackson we will have to wait at 12 October, the date in which they premiere the entire season of ‘The curse of Hill House’.

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The news The trailer for ‘The curse of Hill House’ promises a terrifying reinvention of the novel Shirley Jackson was originally published in Espinof by Victor Lopez G..

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