The world of the hairstyles of the stars is highly complex, and often face erroneously: by way of gossip, fashion and the red carpet. And not: we are willing to use haircuts as a tool of film analysis. We are the Cahiers du Coiffeur. The dialectic of film at your fingertips based carded, perms, ombre and peliteñidos in general.
As a test, we enter the film two stars that were venerated in this house, Nicolas Cage and Jean-Claude Van Damme, because their careers have run parallel to their hairs. What in case you can determine the quality of their movies on the basis of the outrages that make their estheticians? And both, but in reverse: we have found that the worse the hair, the better the film.
To demonstrate this, in the next installment of our series of exabruptos phone Old man yells at cloud, we developed this theory from two masterpieces impepinables, ‘White human’ and ‘With Air’. Hairs horrible, action unbeatable. And from there, we extend our analysis of Hair for the rest of the filmography. Don’t miss out, because the really dramatic thing is that it makes sense.
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The news Hairs and movies: the cinema of Nicolas Cage and Jean-Claude Van Damme via capillary was originally published in Espinof by John Tones .
May 25, 2019
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