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there’s nothing like go to fans to put order in what everything is going wrong in a franchise, isn’t it? Well, Rian Johnson does not have them all with you (and knows of what he speaks: now same may be, together with Kathleen Kennedy, the great white beast Star Wars face to face with the followers of more radical). And to be honest, neither do we.
And it is not persecution mania: ‘Star Wars: The rise of Skywalker’ is the palpable proof of which is not always appropriate to take the corrections of the fans at the foot of the letter. We explained in our videocrítica, that you can go with the peace of mind required before the release, since it comes absolutely free of spoilers.
In it will tell you what works and what doesn’t in this new delivery and why, you seem to spot or a triumph of the will of the people, perhaps the series should rest for a while to re-examine their achievements and problems during the past few years.
we Talk about how the pressure of the fans has broken down the interesting story of King, who was starring in a growth from the very nothing, especially in ‘The last Jedi’, and the fans demanded that they had a sense.
Here we enter to form part of a legacy that is not only not needed, but check for land findings of previous deliveries. In addition to that, with the rush, we proposed one of the coincidences of cosmic most unlikely of the franchise.
‘Star Wars: The rise of Skywalker’: a catalogue of winks
The other aspect that we can understand as a genuflection towards the fans is of the avalanche of winks that sometimes assume a stick in the wheel of the pace of the movie. Things as the appearance of Lando Calrissian, or the fleet of ships rebels are trading without much life or justification. But others, such as certain scenarios with solera or the recovery of C3PO as the most heavy of the galaxy are resultones and work.
The film works when more descerebrada and frantic it gets. The third initial, for example, retrieves the best of the adventures unbiased and some pulp of the first trilogy, with more adventure to the Indiana Jones of science-fiction ships, and many deserts, trompazos, traps, humor and a trio protagonist that goes beyond chemistry. Although the argument in this boot does not have any sense, its feverish pace is contagious.
The result set is a hash of argument more concerned to patch what was not broken tell a genuine story with a life of its own. A final something bitter for the third trilogy, an entertainment competent at times, and a warning to Disney that you have to rethink things.
The news ‘Star Wars: The rise of Skywalker’: J. J. Abrams closes the saga with a patch that is imperfect to problems non-existent was originally published in Espinof by John Tones .
December 19, 2019
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