What new Marvel you have not finished convince us: a certain unwillingness aesthetic and narrative makes the film look like more of a necessity that the House of Ideas sells it in haste because it does not have more remedy than to submit to the character before the ‘Avengers: Endgame’. All in all, it has its values, that we recover in the new installment of our section more grumpy and less complacent: ‘Old Man Yells at Cloud’.
Not all are problems, however: his much-discussed feminist agenda is revealed finally as a colorist and nothing aggressive claim of the strength of the desire of women. It is one of the elements that work best in the film, as the protagonist-unlike other superheroínas more flag-bearers of feminism, as the Gal Gadot ‘Wonder Woman’- has a friendly relationship with another woman, sincere, simple and without artifices. It is in these details that the film works best.
that, and the humor that bathes a good portion of the production, soaking characters such as Nick Fury, played by Samuel L. Jackson in perfect harmony with a Brie Larson perfect -invulnerable-but-close-, and with whom it proposes a dynamic of their own buddy movie. That and the moments of brilliance flerken Goose make you forget part of the endless succession of special ships sosísimas, deserts, hangars, warehouses and conversations in a car, that make up a movie that would not have been bad some crazy brand of the house.
the.news the good and The bad of ‘Captain Marvel’ in five minutes: skrulls, cats in zero gravity and a ‘buddy movie’ spatial originally.published.in by John Tones .