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last December 6, the companion to the Kiko told us that, according to data from Nielsen Holdings, “only” 17.1 million viewers only were ‘The irish’ on Netflix during its first five days online. A figure both highly diluted if we take into account that ‘blind’, also production of the streaming platform, stayed close to 26 million in its first week.
But last Tuesday, the head of content Netflix Ted Sarandos, was contradicted by the data of the company during a conference in which it announced that the movie Martin Scorsese has been reproduced to 26.4 million households since its launch on the 27th of November, estimating that, once completed by 2019, have been overcome to the 40 million viewings only.
For more detail, it should be noted that on Netflix, according to have been published in one of their Twitter accounts, so only accounted for the reproductions, that have exceeded a 70% of the duration of the content —approximately two and a half hours to three and a half total—; as the company difference to their viewers in starters —the start of playback and leave it a few minutes— watchers —see the 70%— and completers —see the 90%—to.
starters (start the movie and leave it to two minutes), watchers (see the 70% of the content), and completers (viewed 90%)
*pours glass of wine*
My friends, I’ve got some news from the big guy at the top: THE IRISHMAN was watched by 26,404,081 accounts, or globally — within sti first 7 days on Netflix. pic.twitter.com/abVV993CWS
— Netflix Film (@NetflixFilm) December 10, 2019
be real, these figures are broadly satisfactory, taking into account that ‘The irish’ had a limited release in cinemas prior to its entry into VOD, and that is a feature film that spent a long time in the fridge before you start your production, and that any large —or medium— study dared to finance, even before the entry into game face technology of skin rejuvenation.
Via | EW
The news Netflix celebrates the success of ‘The irish’ with the official data of the spectators: “we have Only those who saw the 70% of the movie” was originally published in Espinof by Victor Lopez G. .
December 11, 2019
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